“Strange, isn’t it? She believed… You would be the one to unite our two worlds.” – 91. “Those who never change their mind never change anything.” – 151. The real Maria, having escaped from Rotwang's house, rescues the children with Freder's and Josaphat's help.

”Every time a bell rings, an angel gets his wings.” – 108. ” If we didn’t do what we loved, we wouldn’t exist.” – Adonis, Creed II7. 9. He enlists Josaphat's assistance and returns to the machine halls, where he trades places with a worker. “Love means never having to say you’re sorry.”—119. “I believe whatever doesn’t kill you, simply makes you…stranger.” – 20. A lot of hope is dangerous.

And that’s what you’ve given me.
“We go to the moon not because it’s easy but because it’s hard.” – 97. “It’s not who I am underneath but what I do that defines me.”—107. “Now you’re looking for the secret, but you won’t find it, because of course you’re not really looking.

He just wants you to be able to take care of yourself, to take care of me, when I’m old, and grey, and I have no teeth. “No amount of money ever bought a second of time.” – 146. “Just keep swimming. ?” – 59. I think we should take more risks.” – 92. Watching films can be a thrilling experience that makes you cry, smile, relax, and even help you become aware of your fears. The film's extensive running time also came in for criticism, and Grot, foreman of the Heart Machine, brings Fredersen secret maps found on the dead workers. Critic Lang later expressed dissatisfaction with the film. But not us.” – 78. Slightly over-shadowed by the French or the Italians, current German cinema needs to be scrutinized more closely in order to be better appreciated. “The best way to guarantee a loss is to quit”  – 72. “I’ve come across many actors like me who didn’t have a backup. “When you get a different vantage point it changes your perspective… It allows you to see things you should have seen a long time ago.” – 75. “In every job that must be done, there is an element of fun.” – 126. “I’m the guy who does his job. Brigitte Helm actually did perform the role of The Machine Man, as shown by production stills which show her inside the robot costume, such as at Bennett, Bruce (2010) "The Complete Metropolis: Film Notes" Kino DVD K-659Brosnan, Joan and Nichols, Peter. “Your identity is your most valuable possession.
“Our lives are defined by opportunities even the ones we miss.”—117. “Hope. I amuse you?” – 122. “Just a spoonful of sugar helps the medicine go down.” — 143. Because then I could go to sleep at night not knowing there was someone like you out there. “It’s only after we’ve lost everything that we’re free to do anything.” – 3. Finding the false Maria urging the workers to rise up and destroy the machines, Freder accuses her of not being the real Maria. These roles sometimes are incorrectly attributed to Brigitte Helm, since they appear just above her credit line. “Nobody makes me bleed my own blood.

“How many times do I have to teach you: just because something works doesn’t mean it can’t be improved.”—58. “Oh yes, the past can hurt. It’s how much you can take, and keep moving forward. “I love your style. And unless you get out and you try to do it, you’ll never know. It’s always you.” – 86. “I hope it’s okay if I love you forever, Jack.” —87. Discover the famous people whose name starts with L. The list includes people like Little Richard, LeBron James, Leonardo DiCaprio, Lady Gaga, Lionel Messi and many more. Who knows what the tide could bring?” 48. “Put two ships in the open sea without wind or ride and they will come together.” – 81.

Besides the entertainment value they bring, movies also help create awareness about […]

For the scene where the worker's city was flooded, Helm and 500 children from the poorest districts of Helm recalled her experiences of shooting the film in a contemporary interview, saying that "the night shots lasted three weeks, and even if they did lead to the greatest dramatic moments—even if we did follow Fritz Lang's directions as though in a trance, enthusiastic and enraptured at the same time—I can't forget the incredible strain that they put us under. “Your regrets aren’t what you did, but what you didn’t do. “At some point you’ve got to decide for yourself who you gonna be. Some do. “I’m going to make him an offer he can’t refuse.” – 104. “Toto, I’ve a feeling we’re not in Kansas anymore.” – 112. We want to live by each other’s happiness, not by each other’s misery.” 34. That way I don’t have to.” – 84. Just keep swimming. Human beings are like that. Lang's visit to several Hollywood studios in the same 1924 trip also influenced the film in another way: Lang and producer Erich Pommer realized that to compete with the vertical integration of Hollywood, their next film would have to be bigger, broader, and better made than anything they had made before.